Because of the timed nature of this experience, if you miss your assigned time slot, you will need to obtain another ticket for a later time that day, based on availability.Īftermath of Obliteration of Eternity accommodates one to three individuals for about one minute. All members of your party must be present for entry. We recommend that you check entry availability for Aftermath of Obliteration of Eternity early during your visit, in case of high demand, and then enjoy exploring the rest of the Museum afterward.Ĥ) If you receive a timed ticket for later that day, be sure to return at your designated time. Kusama obliteration room how to#How to Experience Aftermath of Obliteration of Eternityġ) Obtain a general admission or special exhibition ticket to the Museum.Ģ) On the day of your visit, go to the installation, located in Gallery 100 on the first floor of the Kinder Building, and check in with a guest services ambassador.ģ) If there is a line to enter, you will receive a timed ticket for later that same day, based on availability. Guests with sensitivity to enclosed spaces should be advised to bypass this experience. The installation consists of a mirror-lined chamber with LED lights that cycle on and off, and a moment of total darkness when a door closes behind you.Given the limited capacity, time slots may fill up early and be considered sold out for the day. This room-size installation is an immersive work of art that may be enjoyed by up to three individuals at a time.Groups of 10 or more are allowed with prior arrangements (see FAQs below for details).Ībout Aftermath of Obliteration of Eternity We keep flashing, disappearing, and again blossoming out in this Eternity.” -Yayoi Kusama Helpful Information for Your VisitĪccess to this experience is available on a first-come, first-served basis, and advance reservations are not available. I have been living in this Eternity, where enormous love for humanity passes through and the vast brilliance of life is infinitely reflected. “In the human world, what arouses our body and feeling of vitality is Eternity. In less than a minute, however, all light disappears-and then the cycle starts anew. Over time, a delicate, shimmering mirage unfolds, as lights ignite and are mirrored on every surface. When you visit this installation, you are invited to step into the room and stand on the central platform. She marked her 80th birthday with Aftermath of Obliteration of Eternity, which references the annual Buddhist Tōrō nagashi (Water Lantern) ceremony honoring one’s ancestors. Kusama returned to Japan in 1970, and subsequent works became increasingly personal. Engaging the viewer directly, through reflections that project into an infinite distance, these installations combine aspects of Minimalism’s clean use of industrial materials with ritual and performance. Yayoi Kusama (Japanese, born 1929) was living in New York when she created her first Infinity Room in 1965. Nancy and Rich Kinder Building, first floor View image Yayoi Kusama Aftermath of Obliteration of Eternity
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